My practice began with illustration, a world of precision, sweetness, and clarity. Over time, I grew uncertain about this safety of being easily understood. I began to wonder what happens when an image resists clarity, when cuteness begins to collapse.

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In search of that tension, I moved away from the flat surface and turned toward materials, space, dreams, and moving images. Along this process, AI became an essential part of my research. It is not a controller, but an extension of my subconscious — a second thinking system. Through its misreadings and automatic generation, I am able to escape the habits of human reasoning and rediscover freedom through accident and choice.

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My work moves between dream and reality, creating spaces of blurred perception through installation, video, and drawing. In these spaces, the viewer is no longer a distant observer but becomes entangled within what is being seen.

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Later, I will return to the language of illustration, though it will no longer serve as a flat narrative. It will become a psychological framework, a point of departure. Illustration, AI, and dreams form a continuous loop in my practice — an ongoing experiment between control and uncertainty, understanding and misinterpretation, seeing and being seen.